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Growing up in photo studios during the 90s, my interest in analog photography always felt like a natural progression. The grain, the low sensitivity of film negatives, the limited latitude of chrome, and the anticipation of waiting for the images to be revealed were all aesthetic elements that captured my senses and fascinated me.
As photography evolved into the digital world, with increasing image resolution and quality, I found myself developing a reverence for the “imperfections” of analog film. This transition ignited in me a pursuit for more contemplative images—less instantaneous, and imbued with a sense of authenticity that is less altered by post-production.

























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